My artistic research practice in site-specificity seeks to generate transdisciplinary and relational ecologies that belong to the research-in-and-through-arts environment.

With my practice, I intend to stimulate the performativity of collectively ‘thinking by doing from the place itself’. I wonder how I can see my work through experience and how experience is influencing my work.

I understand experience as sensory perception and ‘bodily thinking’ -the connectedness of things, bodies and objects- implying the possibility of subject and object to constantly switch roles.
Experience is about movement and changeability of perspectives.

I am constantly confronted with a new location when working in site-specific practices. Following that state of mobility, I implement a series of physical negotiations while inhabiting the place where I am creating my work for a specific period of time.

Implementing artistic processes, I intensify the reciprocal relationships that are involved with the agreements between my body, objects, and other bodies in the place of the installation, using objects and materials found in the place itself. I work mostly with organic materials such as textiles, clay, food… and transform them with bodily in-situ actions like for instance rolling, pressing, molding, placing, folding, positioning, splitting. This happens in the very space of display, sometimes against the actual surface of the space. The presence of my body as a generator for the installation is very evident (some of the objects have my bodily dimensions impressed).

In our daily life, we are connected and involved with the things around us and we need to engage with the world in a continuous, reciprocal process of affecting and being affected. In short, we are implied in our surroundings, and these constant agreements of affective and spatial negotiations generate trans-individual areas, which I refer to in my research as ‘intermediate spaces’.

I wonder in my research how site-specificity as a critical practice is contributing to expand and how it reflects on the nowadays mobile notion
 of ‘site’, bringing up a sense of awareness about the complexities of the construction of our environment. I question what the shapes of the social bodies in our contemporary world can be, who really ìs the public, the addressee in the overlapping circuits of art production and the world under these current conditions, especially in a contemporary world where the majority
of the population is on the move because of warfare, migration and displacement at different levels.

September 2018

Juan Duque is part of the Flemish institute for visual, audiovisual and media art.
You can contact him on +32 484 955 789 or

Portrait by Christophe Tedjasukmana
Portrait by Samuel-Christophe Tedjasukmana

One comment

  1. Niels

    Curious about your work.


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