Category Archives: Sam De Vocht

Breathe your own Horizon – JosedelaFuente – Santander ES

“And who am I but an extension of the presence of everything else”  Juan Duque Juan Duque’s solo-show at JosédelaFuente is an exploration into multiple conditions of presence. The one of the artist, perceived as body-subject, and of the audience,

Breathe your own Horizon – JosedelaFuente – Santander ES

“And who am I but an extension of the presence of everything else”  Juan Duque Juan Duque’s solo-show at JosédelaFuente is an exploration into multiple conditions of presence. The one of the artist, perceived as body-subject, and of the audience,

Perpetual Travellers – SAVYY Contemporary – Berlin Neukölln DE

With the kind support of Kunsten & Erfgoed (Flemish Community) THEORETICAL FRAME by Pieter Vermeulen “Every point is a relay and exists only as a relay. A path is al-ways between two points, but the in-between has taken on all

Perpetual Travellers – SAVYY Contemporary – Berlin Neukölln DE

With the kind support of Kunsten & Erfgoed (Flemish Community) THEORETICAL FRAME by Pieter Vermeulen “Every point is a relay and exists only as a relay. A path is al-ways between two points, but the in-between has taken on all

MEDIATION – Platform3 – Munich DE

“Dervishes”, video loop, Antwerp 2011, large projection on wall “Untitled” 2-channel video loop for flat screen tv, sound through headphones (video editing in collaboration with Flavio Cury) Mediation – press release “Juan Duque’s own constant displacement allows him to inhabit

MEDIATION – Platform3 – Munich DE

“Dervishes”, video loop, Antwerp 2011, large projection on wall “Untitled” 2-channel video loop for flat screen tv, sound through headphones (video editing in collaboration with Flavio Cury) Mediation – press release “Juan Duque’s own constant displacement allows him to inhabit

BACKSIDE – Bains Connective – BE

Untitled video loop, Juan Duque 2011 The swimming pool that used to be the spatial print and departure point at Bains::Connective is not here any more. The name remains but the activity is set in a new location…How do we

BACKSIDE – Bains Connective – BE

Untitled video loop, Juan Duque 2011 The swimming pool that used to be the spatial print and departure point at Bains::Connective is not here any more. The name remains but the activity is set in a new location…How do we

Nomadic Settlers – Settled Nomads – Kunstraum Kreuzberg – DE

With the kind support of Kunsten & Erfgoed (Flemish Community) 2nd of July until 28th of August 2011 Ein Projekt von SAVVY Contemporary Berlin in Zusammenarbeit mit dem Kunstraum Kreuzberg / Bethanien Berlin. Kurator: Bonaventure Soh Bejeng Ndikung, Co-Kuratorinnen: Simone

Nomadic Settlers – Settled Nomads – Kunstraum Kreuzberg – DE

With the kind support of Kunsten & Erfgoed (Flemish Community) 2nd of July until 28th of August 2011 Ein Projekt von SAVVY Contemporary Berlin in Zusammenarbeit mit dem Kunstraum Kreuzberg / Bethanien Berlin. Kurator: Bonaventure Soh Bejeng Ndikung, Co-Kuratorinnen: Simone

No Soul for Sale – Tate Modern turbine hall – UK

To celebrate Tate Modern’s 10th anniversary, the gallery will host No Soul For Sale – A Festival of Independents. For this free arts festival, Tate Modern is inviting over 70 of the world’s most innovative independent art spaces, not-for-profit organisations

No Soul for Sale – Tate Modern turbine hall – UK

To celebrate Tate Modern’s 10th anniversary, the gallery will host No Soul For Sale – A Festival of Independents. For this free arts festival, Tate Modern is inviting over 70 of the world’s most innovative independent art spaces, not-for-profit organisations

Appendix 18 – Paviljoen KASK – BE

Participating artists: Oshin Albrecht, Juan Duque, Linda Lenssen, Melissa Mabesoone, Meggy Rustamova and Kema Spencer ‘My intervention is a counterpoint action to the transparent character of the kiosk itself. Departing from the entrance which is located in the middle of

Appendix 18 – Paviljoen KASK – BE

Participating artists: Oshin Albrecht, Juan Duque, Linda Lenssen, Melissa Mabesoone, Meggy Rustamova and Kema Spencer ‘My intervention is a counterpoint action to the transparent character of the kiosk itself. Departing from the entrance which is located in the middle of